Welcome to Ambience for April! This is an ambience focused sequel to my 2019 album, November, where I made a song a day for November. Here, however, I'm focusing on Ambience. November was influenced by Japanese Breakfast's project, June. Same concept applies.
Here, we have a piece I made with my Akai MPK mini play and my G1X Four Zoom multi-effects looper pedal. Admittedly, I was off time with the drumming loops, but I think it sounds cool. I was banking for a different ending, but I got this instead. I think this is still a good piece.
This piece was made with my Akai synth, Zoom multi effects looper pedal, and my field recording recording the rain storm outside today. First, I set the recorder inside a cabinet outside, then I recorded the synth track. I kept the field recorder going as I went to the store. I think this turned out really well.
This is a piece I made with my Glarry Telecaster, Korg Delay Monotron, MPK mini play (for Synth Drums), and my multi-effect looper. Its focus is on the slowly growing guitar loops, with a repeating motif throughout its entirety, eventually adding more instrumentation near the end, what with the synth and drums. It brings to mind Flood I by Boris. It took me two fucking minutes to start this piece because I kept fucking up the first loop, which, y'know, is the most important aspect of this song.
A piece made with the Akai MPK mini play, that utilizes drum synths and looping. I love how you can hear birds in the background of this piece. I am so happy about that. I actually recorded a piece before this that is way too energetic to be on this project. It was delegated for RonZak's Contingent Music, and it's like a blueprint piece for if I want to make an album in that way.
A piece revolving around simple bass guitar loops, with periodic string scratchings and drum synths. I had to record this twice because I accidentally hit the keys on my synth and it immediately sounded tacky.